It’s a happy little cereal

It’s art! It’s cereal! It’s both! If you remember the soothing voice of Bob Ross, then just add milk to this add listen to him talk as you eat. Okay, that’s not going to happen. But you can still enjoy some cereal inspired by the guy that inspired many artists. I know that some people think he was not that great and basically painted the same type of thing over and over, and I think those people are missing the point. The point was in the joy of painting, which Bob Ross often talked about. He also shared the basics of technique, brush types and how and why to use them.

And the fact that you can still get Bob Ross branded art supplies, books, instructional videos and yes, Chia pets and cereal, only speaks to the creativity and appeal of this artist.

Besides, it’s a happy looking little cereal, and it looks good in the bowl.

If you really want to grab a box (or two) here’s the link: bit.ly/2KMj4Tc

Insurers of Idaho website

I know, I know, it’s insurance. But hey, somebody’s got to do it, right? And if you need insurance wouldn’t you want to work with a company that looks out for you, finds you the best deal and does it at no cost to you? That’s what Insurers of Idaho does. They are an insurance broker that specializes in health care coverage for the state of Idaho, and they also specialize in helping you when it comes to dealing with insurance providers. We helped Insurers of Idaho create a cleaner, mobile responsive website that makes it easier for visitors to see what current insurance rates are for them, and to contact Insurers for a personalized health insurance quote. Check out the new site here.

Logo Design: Why change?

Clients often wonder when it’s time to change, or update their logo. Do you evolve your logo (change it slightly)? Or do you revolutionize your logo, and come up with something completely different?

Below are two examples of evolving and revolutionizing a logo.

First we have CBS Sports, which evolved their sports logo, which had been in use for 37 years. You’ll notice the new logo is much cleaner, though I’m not in favor of the gradient fade to the new logo. This logo lasted CBS 37 years, which is a pretty good run for a sports/media logo.

Old Logo
Old Logo
New Logo
New Logo

 

 

 

 

 

Which brings us to the question, “How do you know it’s time to change your logo?”

Well, think about your company. Have you changed your core business? Maybe you started out manufacturing a product and found that providing a service for your industry was a better business model for you. That might warrant a logo change. Have your employees or vendors expressed the idea that your logo might be out of date?

This brings us to our second example; a total revolution of a logo.

Segundo Mano recently changed their name to Vibbo. Segundo Mano (Spanish for Second Hand) is like a Craigslist for Spain. The parent company made the decision on the name change and the logo was designed by Barcelona-based Summa.

Old Logo
Old Logo
New Logo
New Logo

 

 

 

 

 

 

As you can see, the new logo retains nothing of the past logo. It’s bold, colorful and very simple in execution, comprised of just rectangles and half circles to form the letter shapes. It’s a very cool logo.

You may be thinking ‘why did they change their name’?. And that’s the key to communicating to your key people, employees, vendors and your customers – “WHY?”. If you can let everyone know why you made the change (or why you’re considering the change), you’re likely to get more constructive feedback and acceptance. People don’t like change, and I think they are more accepting to it if they know the reason why. They may not agree with it, but they will understand the reasoning behind the decision.

We always start out by asking ‘why?’ to our clients. Why do you need a new logo? Why do you need a new website? Uncovering the reasons behind wanting a change often reveals what’s really going on in your business, and it may involve more than a re-brand. It may a bigger issue that you need to focus on.

If you’d like help discovering your why, and get our help in creating something awesome for you, contact us to schedule a consultation.

Watch That Self-Talk Boss.

self-talk-bossI was texting with a friend the other day who said he was glad my business was going well. Jokingly, I replied that my boss was a jerk (I’m self-employed) and that I was too hard on myself. He replied, “You should fire that guy.”

You know what? He was right. As I thought about it, I realized that there was no way that I could speak to an employee the way that I internally speak to myself sometimes, and if I did, the employee would either quit or sue me.

We all have an internal dialogue going on, and I’m not sure if it’s just a self-employed trait or the way that I’m wired, but that voice in my head never shuts up. I’m constantly critiquing, reviewing, analyzing, and monitoring my work. I noticed that in my case, that voice is a mostly negative fellow, and not the nice, forgiving and patient guy that outwardly speaks to people I work with.

Now I’m more aware of the feedback that I’m giving myself. If it’s negative, I stop and think about why I’m thinking that way, and then I’ll reframe the incident in a more positive way. It’s only been a couple of days, and the results have been good. I’m less angry at myself and as a result have been way more productive. Nice bonus there.

So I’m sorry voice in my head. Your performance isn’t what we’re looking for at Graphic Zen so I’m going to have to let you go.

My advice? Give it a try and give yourself a break. You’re worth it.

Album Art #2: Destroyer

KISS DestroyerContinuing with (IMO) great and iconic album covers, I present to you Destroyer from “the hottest band in the land” KISS.

Destroyer came on the heels of their worldwide hit KISS ALIVE!, which was the biggest selling live album in history. Knowing that the follow up album to this had to be every bit as good, an artist was sought out to produce the album cover.

Enter Ken Kelly. Born in 1946, Ken was always interested in art as a kid, but didn’t pursue it as a career until he left the Marines in 1968, after a four-year term. Back in New York he sought the guidance of fantasy artist Frank Frazetta, who took him on as an apprentice and helped guide his early work.

In 1969, Ken landed a book cover project and has worked for every major publishing house since, including working on a series for fantasy writer Robert E. Howard.

For the Destroyer cover, Ken was faced with a tight deadline and many revisions, one for the first cover version being “too violent”, (it was the mid-seventies). The second happened as he was almost finished and was asked to start over and paint the band in their new costumes. According to all involved, Ken was a professional and took these challenges in stride with no complaints.

Growing up in the mid-seventies I can say that this was one of my first record purchases, and made me very popular at school, as the cover was so visually striking.

Ken also painted a follow up album cover for KISS, Love Gun, which is very unique and identifiable in its own right. He continues to work today and his website can be found at www.kenkellyfantasyart.com.

Fonts and Vector Images

handcrafted-chalkAs a designer, we usually have several sources for fonts, vector images and stock photos. If you’re looking for a great source for fonts, images, vectors and Photoshop Actions, I highly recommend Creative Market. As per their website: “Creative Market is a platform for handcrafted, mousemade design content from independent creatives around the world.”

Creative Market has a great selection of resources, their blog is full of tips and tricks for creating better designs, and the pricing is awesome. I’ve often been able to purchase entire font libraries for much, much less than I would have on other font sites. Designers that put up content for sale are also encouraged to offer free samples or bonuses, and each week there is a selection of Free Goods that you can select from. These might be fonts, Photoshop Actions, images, or vectors. If you’re a designer looking to generate some extra income from your designs, then you also have the option of opening a shop on Creative Market.

I encourage you to check them out today (click the image in this post to get there) and start adding to your collection!

Album Art #1: Whipped Cream and Other Delights

Whipped-Cream-&-Other-Delights-Cover-blogOne of the things that has always been on my design bucket list is to design an album cover. Not just any album cover, an iconic album cover.

Besides design, one of my other passions is music. I played drums in a few bands in my teenage years up to my thirties. And when I was a kid, one of the album covers that got me interested in music was Herb Alpert’s Whipped Cream & Other Delights (shown here from my vinyl collection). I’m sure that I’m not alone when I say that it wasn’t the music that first drew me in; it was the cover. Who was that girl? Why was she covered in whipped cream? (And be honest guys, you stared at that cover wishing the whipped cream would somehow fall off in certain areas)!

Ahem, okay. Putting my design hat back on, this cover was designed by the photographer Peter Whorf and was shot in his converted garage studio. The model was Dolores Erickson, a fashion model and actress with several big name credits to her portfolio. Dolores is now a successful painter. In addition to Dolores, I love the color and the cool curved lettering of this album.

Back before iTunes, Spotify and the like, you either heard a song on the radio, at a friend’s house or party, or you were at a record store looking at album covers. And if the cover was good enough to grab your attention it prompted you to buy it. At least that’s what happened to me. Once I got the record home and put it on, there was this experience of listening, looking at the cover and maybe reading the liner notes. Many people are rediscovering that today, and I think there still is a place for good album art.

Once I actually got around to listening to this album, I liked it, and so did about 6 million other folks, because that was how many records that were sold. And even though it was released almost 50 years ago, you still hear music from this album today on the radio, tv and movies. Not sure if you’ve ever heard any of the music from this album? Check out this rare video below of Herb Alpert & The Tijuana Brass.

A cool album like this and an iconic cover…that would be fun to work on.

To read a great interview with Dolores about her experience being the star of this cover, click here.

Embed Getty Images

Pop the champagne! Or wine (or your favorite beverage), because Getty Images is saving you from ripping off images on the interwebs. You can now embed Getty Images into your website, blog or social platform without feeling guilty for pirating images. From Getty Images, “Finally, everyone can enhance their online communications and express their creativity with high-quality imagery – at no charge.”

It’s really as simple as finding an image you like on Getty Images, copying the embed code (looks like this: </>) and inserting the code into your post, page, etc.

Thank you Getty Images – the quality of imagery on the web just went up a notch. For details check out www.gettyimages.com

Pay for creative work.

Design_for_free_billboardWould you work for free? If you do creative work (designer, artist, coder) you may have seen something like the following example that I see far too often in online forums, direct emails, or via face-to-face networking. It goes something like this:

I have a small business and I would like to re-vamp our Logo and such for our website, signage, business cards, clothing, etc. I’m hoping to find a new or aspiring graphic artist that would like to help create our new look, and at the same time build their portfolio. Sorry, but this is not a project I can pay for, but it may be good experience and an opportunity to build your portfolio and gain a great reference.

What kind of “great reference” offsets being paid for hours of work? If someone asks how much you paid for all this creative work do you say, “Oh, I told them I didn’t have much money so they did it for free and to build their portfolio.” Finding that out, will your next “client” ask you to work for free also? My advice for any designer/creative type engaged in business is simple: Get paid for your work. It doesn’t matter if you’re starting out or not. If the client/business is already established (in this case, needing a “re-vamp”), then they should have a marketing budget set aside for design work. If they don’t, you should still be able to negotiate a pay-for-design rate, get a signed agreement, and proceed to do what you’re contracted for, and only what your contracted for. Don’t let the client come back with excessive revision requests unless you’ve built that into your contract.

Let’s put it another way. Dave wants a house built. He finds an architect and a builder that are just starting out and requests to meet with them. At this meeting he says to the architect, “I want you to design a 2,500 sq. foot house for me.” and then turning to the builder, says, “And I want you to build it as modern as possible with granite countertops, walk-in shower and hardwood floors.” Then Dave adds the kicker – “I don’t have any money to pay for this, but this house will look great in your portfolios and I’ll give you a great reference.” Do you think the architect and builder are going to accept?

What makes people assume that creative work should be performed for free? A good designer can be an asset to your business –  like a good employee, accountant, lawyer, supplier, etc. One shouldn’t think of creative work as a “one-off” relationship. What if you need additional work like a promotional piece created for a new product? Are you going to place another ad looking for free design work? Or are you going to contact “your designer”, the one that you have a working relationship with, that understands your business because of the time spent working together on your branding/marketing materials. The designer who can get it done quickly for you because he/she understands what you need designed without a lot of input/micromanaging from you?

Graphic designers and other creative folks need to get paid the same as you need to get paid for your products or services. We have families to feed and bills to pay, just like you do.

@DangeRussWilson

Seattle Seahawks quarterback Russell Wilson (congratulations on the Super Bowl win!) recently asked followers to submit logo ideas for his DangeRussWilson brand. I created a few logo concepts and received thumbs up from a couple of Seahawk fans. It’s kind of hard to design something without a design brief/direction, so I took what I thought would be important to Russell (the crown represents his faith, the #3 his uniform number) and incorporated these elements in the designs. Thanks for the design challenge @DangeRussWilson. The concepts are presented below (click the thumbnail image to view a larger image).

dangerusswilson_v1.0

A bit of perspective…

Cascade Lake by Rudy Vaughn (600 x 450)With all the dialogue (arguing?) going on these days on topics political/social/sports etc., it’s always a good idea to bring things back into perspective.

“Look again at that dot. That’s here. That’s home. That’s us. On it everyone you love, everyone you know, everyone you ever heard of, every human being who ever was, lived out their lives. The aggregate of our joy and suffering, thousands of confident religions, ideologies, and economic doctrines, every hunter and forager, every hero and coward, every creator and destroyer of civilization, every king and peasant, every young couple in love, every mother and father, hopeful child, inventor and explorer, every teacher of morals, every corrupt politician, every “superstar,” every “supreme leader,” every saint and sinner in the history of our species lived there-on a mote of dust suspended in a sunbeam.

The Earth is a very small stage in a vast cosmic arena. Think of the endless cruelties visited by the inhabitants of one corner of this pixel on the scarcely distinguishable inhabitants of some other corner, how frequent their misunderstandings, how eager they are to kill one another, how fervent their hatreds. Think of the rivers of blood spilled by all those generals and emperors so that, in glory and triumph, they could become the momentary masters of a fraction of a dot.

Our posturings, our imagined self-importance, the delusion that we have some privileged position in the Universe, are challenged by this point of pale light. Our planet is a lonely speck in the great enveloping cosmic dark. In our obscurity, in all this vastness, there is no hint that help will come from elsewhere to save us from ourselves.

The Earth is the only world known so far to harbor life. There is nowhere else, at least in the near future, to which our species could migrate. Visit, yes. Settle, not yet. Like it or not, for the moment the Earth is where we make our stand.

It has been said that astronomy is a humbling and character-building experience. There is perhaps no better demonstration of the folly of human conceits than this distant image of our tiny world. To me, it underscores our responsibility to deal more kindly with one another, and to preserve and cherish the pale blue dot, the only home we’ve ever known.”
Carl Sagan, Pale Blue Dot: A Vision of the Human Future in Space